Monday, 2 September 2024

White Lies at EartH and Lafayette

I was very excited when I first saw this gig advertised, or rather two gigs. One of my favourite bands, While Lies, were going to perform two of their albums, Rituals and Big TV on consecutive nights at one of my favourite venues, Lafayette. Only downsides were that none of my friends could make the dates, and Lafayette is  a small venue so wasn't sure that I would be able to get tickets.

Well, the good news was that I got tickets. And then came the bad news. Somehow the ticket agency had sold too many tickets. My contempt for ticket agencies generally, and SeeTickets in particular, knows no bounds. I mean, your only job is to book tickets online, for which you charge a ridiculous amount given there is no manual posting etc. How can you sell too many? 

Anyway, their answer to this was to "upgrade" the Friday night to a bigger venue, EartH, and give the option of a second night at Lafayette, ie they would play there both Saturday and Sunday. As it happens the latter suited me very well as now I could get some friends along. And then the tickets could only be used from the SeeTickets app. Which is utterly useless. I couldn't find them, so had to ring up, and basically I don't think they had uploaded them.

Now I hate EartH. Only been there once before to see Hot Chip and I got dripped on by an air conditioning unit in a packed overheated cellar of a hall.

So what is wrong with it? Well firstly it is in Stoke Newington and unlike Lafayette it is a pain to get there. No convenient nearby tube. I got a bus. But mostly it is a multi purpose venue, which means a featureless basement. The name is annoying too. EartH stands for Evolutionary Arts Hackney. Hate it when they stick capital letters in the middle of a word. 

Anyway, away I went to see Rituals being played. First up was a young singer songwriter on his guitar.




And then we got the main act. Who performed their first album in full first, then went off and did a sort of greatest hits set in the second half.














Two days later I turned up for the second part of this gig, with the feature album being Big TV. Not as good an album, but a much more enjoyable night, partly because of the vastly superior venue and partly because I had a friend along.

Much of the attraction of the venue is that because it is so small one can go up on the balcony and still be close to the act. And as the balcony is effectively only two deep, I could stand at the front with my six foot five friend behind me and then he isn't annoying anyone else by totally blocking their view. And we were just yards from the bar. Which Eoin made a lot of use of!

On top of that, since it is just round the back of Kings Cross it is very easy to get to. And as it is purpose built as a gig venue, it is perfect for its use!







So after same singer opening, on came White Lies























 A truly enjoyable night. Excellent band at top of their game. Look forward to a new album.

Tuesday, 4 June 2024

City Churches, Michelangelo and the Glass Menagerie - a cultural smorgasbord

So Friday became, accidentally, a big cultural day. I say "accidentally" because the starting event, a walking tour of Wren churches, should have happened a month ago but was postponed because of the unavailability of the guide, and our evening theatre trip was the only night of the run we were both free. But honestly it was not as heavy a day as it sounds.

So first off was a guided tour of City Churches, the meeting point being ironically just outside my offices at Cannon Street station . There were six churches on the itinerary. Now out guide might not have been everyone's cup of tea, possibly a little detailed for the average tourist, but for Nigel and I he was just absolutely spot on. Perfect. We learned lots about the churches, architects and builders without descending into legends and heart warming stories that often litter these affairs. Our couple of hours went by very easily and I feel far better informed about the Reformation and much else besides, when I would have (wrongly) thought myself reasonably educated to begin with!

So first off was St Mary Abchurch, a Wren designed church but a few steps from my office, the square in front being a regular drinking spot in nice weather.

Now one feature of all these churches is they would be better portrayed by an artist's drawing than by photographs. This is because they are all to a greater or lesser extent hemmed in by other buildings so it is difficult to get a good perspective. This one should be a bit of an exception because it does have a square in front of it. But that square is full of tables. chairs and parasols of neighbouring bars and restaurants, so below is the best I could do. Really far too close up, but further back it would like a Parisian cafe


The really curious feature of the interior is that it has a dome. And that is curious because it only appears as a dome internally. Externally the roofline is square
The marvellous carving is by the brilliant English woodcarver Grinling Gibbons. And there was first new fact to me. He wasn't English, but Dutch. Wonderfully, the church records still include the invoice for his work

Second church was another St Mary's, but the only church not by Wren. This was by his famous apprentice Nicholas Hawksmoor. As this sits on a triangular plot with roads going either side you can get a bit of a perspective of St Mary Woolnoth. Amongst other things there is a memorial here to John Newton who started out a slave ship captain, but became a vicar, an abolitionist and most famously perhaps, wrote the hymn Amazing Grace.



Onwards to St Margaret Lothbury. This is a very easy church to walk straight past because it is in such a tightly packed row of buildings. 

While this is another Wren church it is more "original" than most on the tour by being the least damaged by the Blitz. Another thing I hadn't appreciated was that while most of the spires survived the bombings, the naves all went. And that was because the Luftwaffe dropped incendiary bombs, so rather than explode things, they burnt the timbers and the lead roofs melted and collapsed inwards.

Our guide also referred here to another cause of destruction of City Churches beyond the Reformation, the Great Fire and the Blitz. Some were also demolished during the 19th century because of dwindling congregations. This is relevant here because St Margaret's has a magnificent carved screen which belonged to a church demolished at the end of the 19th century to make way, brilliantly, for a brewery!


From there we went to St Lawrence Jewry which I have visited more often as it sits just outside the Guildhall. This was properly demolished by the Luftwaffe but re-built in splendour, not least because it is the Lord Mayor's church. The stained glass window below depicts Sir Christopher Wren in the middle. (Who lived to be 91 incidentally. Not everyone in the past keeled over at a young age. Just a matter of avoiding all that plague and pestilence)  



And lastly the slightly bizarre St Mary Le Bow. I say bizarre because look at the terrible Sixties monstrosity that adjoins the tower. There isn't just a tower, the nave is behind rather than alongside it. But really if ever a building was begging to be demolished.....
There is a really beautiful spire at the top,
And a beautiful interior too. The stained glass is unashamedly post war in design.


Tour finished so time for lunch. I took Nigel to the Montague. Obviously a nice large glass of red to fortify us for the rest of the day



The virtue of that place apart from the lovely surroundings and excellent food and service, is that it is round the corner from the British Museum, although never busy. Which allowed us to stroll around and visit the Michelangelo exhibition. And here is the man himself, drawn by a collaborator as an old man



From there I took Nigel to the secluded calm of Pied Bull Yard to let him make a long call with his architect over an extension. Its an oasis.


 And finally we took the tube to Highgate and walked through the woods up to Alexandra Palace Theatre to see a much acclaimed production of the Glass Menagerie by Tennessee Williams. not a play for a happy ending. Indeed the two main protagonists were still in tears while taking the standing
ovation.

That was our third theatre night in four days, having also taken in The Harmony Test and Between Riverside and Crazy at Hampstead. All were good but my personal favourite was the first, which being in the studio there was also by far the cheapest! The thing I would say is the three plays increased in theatricality, by which I mean the first, although a play, felt entirely real. Every conversation in it felt like it could have taken place. The Tennessee Williams displayed many truths, not least of the place of women, and especially a disabled woman, in US society, but it was also certainly contrived. It always felt a performance.

And finally I could walk home....