My last festival of the year, but the one with with the best weather. Couldn't really have asked for a nicer day - weather, company or music.
Now lets get this straight. This is a very middle-class family oriented festival. The line up is designed to appeal to folk my age- Edwyn Collins, St Etienne, Squeeze, James, Belle & Sebastian. All for indie kids who have grown up and now have families. At V Festival the crowd was full of sweating lads trying to get their girlfriends on their shoulders. Here it was dads with their under-10s. And its sponsored by John Lewis, so not very rock and roll. But ok, I admit it. I am over 50 too and this is aimed at me. And I enjoyed it.
I had a relay of friends at this, starting with my last trainee whose fiancee was part of the opening act - the Greenwich & Lewisham NHS Choir. They had managed to get a Christmas No1 with a cover/mash-up of Simon & Garfunkel's Bridge Over Troubled Waters and Coldplay's Fix You. It was interesting listening to the various arrangements of familiar songs, and nicely eased one into the festival. Bridge Over Troubled Waters was better in Art Garfunkel's dulcet tones, but Fix You was rather better here than sung by Chris Martin. In my opinion. But that's half the fun of listening to these things - it makes you think of what you like and why one version works better than another.
And the choirmaster
This was probably the oldest act of the day, but went down very well. Glenn Tilbrook has an excellent voice, and a varied repertoire from some things you can imagine being sung in a pub to standards like Take Me I'm Yours (on which they finished ) and Pulling Mussels from a Shell.
Next up were James. One of the better performances from them over the several I have seen. And the first time they didn't play Sit Down. I can understand this as they are a band who feel they are vastly more important to music than they are, so playing their one really big hit rather overemphasises that they were one hit wonders with one other popular album to back it up. Their new numbers weren't received with any great enthusiasm.
On stage, Stuart Murdoch just exudes charm His slightly fey Glaswegian accent works ever so well. Their fan base may not be enormous but it is justly devoted.
Visually the highlight was Boy with the Arab Strap for which Stuart called up random members of the audience to dance. Just dance joyously, not professionally, or well. This is not Strictly Come Dancing. No votes for good, just for seeming to have fun.
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