But at least now the nave is fully roofed. Some of the modern sculpture I have to say is so far cruder than the earlier work that it does feel a bit like skimping on quality.
However, it is also I suppose a failure. I say that because Gaudi was a very religious man (surprising in someone so inventive) and Sagrada Familia is just not a cathedral. It is just a tourist destination bursting at the seams with gawping heathens. Despite all the signs to the contrary it does not feel in the slightest bit spiritual, in contrast to the City's older churches and the cathedral. Admittedly the noise of the ongoing construction doesn't help. But there is a certain King Canute feel to the attendants trying to keep the central part for prayer by not letting people stand and take photos. All it means is that Japanese tourists occupy the chairs and from a sedentary position continue to snap away.
Indeed, while wandering around I got a call on my mobile from my agents, appropriately enough given the environment, declaring a miracle. The hotel I was being chucked out of on Friday because they had overbooked relented and would take me after all. A church attendant looked daggers at me, but to be fair I was hardly disturbing the silence given the chatter of a thousand tourists and a circular saw cutting through stone overhead.
Note the variety of pillars - granite above, limestone below - the pale grey ones, and porphyry (purplish pink ones) in the distance.
Just about my favourite part is the cross, suspended rather than occupying one end. There is even a black and white photo of some chap modelling for this precise pose.
Workers hard at it. only another 20 years to go boys. |
Detail of bronze doors |
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